Stamp vocabulary for the beginning collector

Whenever you start a collection, you will quickly hear some interesting terms and phrases.  There are a ton of them that you will hear, and here are a few of them when it comes to the world of stamps:

Centering—this is the relative position of the design in relation to the margins.  This is one of the important factors when it comes to grade and value.

Pair—this is  two stamps that are still connected and have not been separated.

Dummy stamp—these are officially produced stamps that are imitations of the real thing.  This is to train employees or to test the machines that dispense the stamps automatically.  These are either blank or carry special inscriptions to distinguish them from the real thing.

This is only a few of the terms and phrases that you will hear in the world of stamp collecting.  What have you heard?

Weeding out the reproductions

Homeowners this time of year begin to get rid of lawn weeds in hopes of having a lush green yard.  Likewise, shoppers need to learn to “weed out” those items which typically show up on flea market and antique shelves this time of the year.

Weeds are what I like to call reproductions, and they can be quite convincing.

It could be an advertising sign that is rusted and looks to be ever so real.  Damage to the corners, fading to the paint, and even dents are all applied to a brand-new sign to help make it look older than it is.

There’s glassware on the market that copies Depression Glass and art glass patterns.  It is so convincing that the pattern and the color are the spitting image of the old items.  There are some manufacturers that have figured out how to make a piece of glass “glow” in a black light like the old stuff without using Uranium.

Brass imports such as spittoons or candle holders already come with tarnishing.  Wooden boxes and furniture furniture that is hammered, faded and well-used are also plentiful without much looking around.

So, buyer beware and do your homework!  You can never have too much information when it comes to antiques—it always comes in handy.

What’s in a maker’s mark on pottery?

There’s a ton of pottery out on the market that you will run across, but how do you know what’s what?  And how do you read the mark on the bottom of the piece to know what you have in your hands?

Here are a few things to keep in mind when you are looking at a mark:

A maker’s mark will run a wide variety on how much information it will give you.  It could be just the name of the name of the company, or it could be loaded with information like the Frank Beardmore piece pictured above.  Since 1891, all pottery that is made to be exported (especially into the United States), it must be stamped with a country of origin near the maker’s label.

With artist’s being hired on by the pottery companies to hand paint some items, the artist could sign their name to the piece as well.  I have seen an artist signature to either the bottom of the piece or on the side of the piece (I would look near the bottom of the piece to see if the artist signed there).

There are times that the name of the pattern is written on the bottom of the piece as well.  The Frank Beardmore creamer’s pattern is called “A Sussex Homeland” and the name of the pattern is listed at the top of the mark on this piece.

A good tip to remember is that the marks on pottery are not that hard to decipher; it just takes about a minute to figure out how the maker laid out the mark.

What kinds of pottery have you found something out by looking at the mark?